Short Films

Lakhey

Nepal, United Kingdom · 15 min

Film details

Director
Veemsen Lama
Country
Nepal, United Kingdom
Duration
15 min
Language
Nepali
Writer
Veemsen Lama
Producer
Jonathan Roebuck
Cast
Shyam Khadka, Mithila Sharma

Director’s statement

Ram's journey is a mirror, reflecting the fragile yet unyielding dance between human vice and redemption. At its core, it is not just about a father trying to buy his daughter a cake, it is about the relentless force of addiction, which twists our desires into chains that bind us. Ram's gambling isn't merely a habit, it is a ravenous beast, consuming the light of his responsibilities, his love, his family.

The beggar, a symbol of fate, enters as a harbinger of consequence. She isn’t just asking for a cake, she is asking for Ram to confront the weight of his choices, a reminder that no indulgence comes without a cost. The curse is Ram’s reflection, an echo of all the moments he has failed, but also an invitation to transcend them. This curse is a reckoning, born from his neglect, and the demon Lakhey, with its ferocious nature, is the embodiment of Ram's internal struggle: the fear of losing his identity and family to his darkest impulses.

Lakhey doesn’t just challenge Ram, it is Ram, the manifestation of the gambler’s mind, demanding sacrifice. The sacrifice, however, isn't merely the cake or any material possession. It is the shedding of his ego, the surrender of his greed, and the relinquishing of his dependency on chance.

Sani, in contrast, represents the purity of love, the fragility of time. Her birthday cake, a seemingly trivial object, holds within it the weight of unfulfilled promises and forgotten affection. The journey to deliver the cake to her is, symbolically, the journey of reconciliation, a father’s last desperate grasp to salvage the bond he has recklessly endangered.

As Ram battles the demon, every step towards Sani's school becomes a countdown against fate, a ticking clock where redemption and failure blur into one. The streets become the labyrinth of his mind, dark alleyways of regret and broken dreams, where he must finally choose between surrendering to the beggar's curse or breaking free.

Ultimately, this story is about sacrifice. It asks the question, what must we surrender to be free? And in Ram's case, the answer is clear, he must let go of the demons that have shackled him, before time runs out and the chance to reclaim love is forever lost.

This film is a meditation on the fragile threads that connect our choices to the people we love, and how easily those threads can snap under the weight of our sins. But through the lens of Ram’s torment, there is also hope, the belief that redemption is possible, even for those who have danced too long with the darkness.

In essence, Ram is cursed because his life has become out of balance, he has lost his way, trapped in a cycle of self-indulgence and irresponsibility. The curse, while harsh, is a wake-up call, a symbolic force that compels him to confront the consequences of his actions, offering both punishment and a path toward redemption.

The cake is a symbol of love, responsibility, time, and sacrifice an object through which Ram’s journey towards redemption unfolds.

In the end, Ram’s transformation is not just about defeating Lakhey or breaking the curse, it’s about defeating the inner demons that have ruled his life and reclaiming the love and trust of his family. He moves from a man driven by addiction and selfishness to one who understands the value of sacrifice, responsibility, and love. This change, though hard-won, signifies his path towards healing and redemption.

Lakhey

Synopsis

When a cursed beggar summons the demon Lakhey, reckless gambler Ram must outrun fate itself, gambling his soul for one last chance to deliver his daughter's birthday cake.

Veemsen Lama

Veemsen Lama

Director

Born and raised in Nepal, Veemsen Lama is no ordinary umpteenth London-based filmmaker. From a very young age, Veemsen developed a passion for storytelling, and so at the dawn of his adult life, he promised himself to do all it would take to make his dreams come true. That notably meant enrolling in the British Armed Forces, which he served for several years. Once he had taken and passed all of the rough tests to become a Gurkha, Veemsen finally set foot in England.

Determined to tell the world the stories he had and would stumble upon, he first started learning about filmmaking through books and YouTube tutorials while still in the army. Sometime around 2012, there was a redundancy process and Veemsen's name was on the list. 'What next?' probably was the question that popped in at that time, and applying for university seemed to be the obvious answer...

In September 2013, Veemsen thus started studying Digital Film Production at Ravensbourne in London. Now a fresh graduate, the young filmmaker is working freelance, doing camera operator jobs, music videos, wedding videography and photography, and so on and so forth. When it comes to his films more specifically, Veemsen Lama is eager for stories about love and hope, which he wishes can inspire others whose life is being dark and cruel. He's therefore engaging with the drama, romance, but also horror and action genres a lot.

After the success of his graduation short film, MAYA, which was nominated and awarded at numerous festivals around the world (including Raindance; BKSTS, where it won "Student Best Film of the year 2015"; London Short Film Festival; Berlinale; Screentest Student Film Festival, where it was nominated for "Best Drama"; London Independent Film Festival, where it won "Best International Short Film"; One World Media Awards, where the film's been long-listed; Valletta Film Festival, where MAYA is up for the "Triton Award"; and most recently L.A. Cinefest.